Showing posts with label The History Of Faceless Dolls. Show all posts
Showing posts with label The History Of Faceless Dolls. Show all posts

Tuesday, February 27, 2018

I've Written A Lot of Doll Histories For My Linda's Blog and My Victorian Dolls Blog


Besides being a lover of Victorian dolls and genealogy I also love history - especially doll histories. Being a lover of doll histories prompted me to write all the doll history posts on my Victorian Dolls, Victorian Traditions, The Victorian Era and Me blog.

DOLL HISTORIES ON MY LINDA'S BLOG AND MY VICTORIAN DOLLS, VICTORIAN TRADITIONS, THE VICTORIAN ERA AND ME BLOG 




















































I thought if you were as interested in doll histories as I am you'd like an easier way to read all my doll history posts.  So, I created .PDF's for all of my posts.  In all there are 4 different .pdf's each with up to 50 pages.  If you would like to download my "Gotta Love Doll Histories Part 1 - Part 4 just click on the pictures or titles below:

Copyright © 2004-2023- All Rights Reserved - Written by By Linda Walsh

The Bangwell Putt Rag Doll
The Molly Brinkerhoff Doll 
The White House Doll
Apple Head Dolls
Penny Wooden or Peg Wooden Dolls 
Wishbone Dolls
Early American Wooden Dolls By Joel Ellis 
Tuck Comb Wooden Dolls
Grodnertal Tuck Comb Wooden Peddler Dolls 
Grodnertal Wooden Costume Dolls
Beautiful Peddler or Pedlar Dolls 
William F. Goodwin Patent Walking Doll 
Dolls From The Index of American Design at National Gallery Of Art
Shell Dolls 
Frozen Charlotte Dolls 

Copyright © 2004-2023- All Rights Reserved - Written by By Linda Walsh

Clay Pipe Dolls 
Roxanna Elizabeth McGee Cole's Dolls
Wooden Spoon Dolls and More 
Bartholomew's Babies 
Carved Nut Dolls 
Clothespin Dolls
Miss Columbia and the Columbian Rag Doll 
Pioneer & Prairie Dolls, Rag Dolls, Appalachian Dolls, Wagon Train Dolls, Table Cloth Dolls, Pillowcase Dolls, Handkerchief & Prayer Dolls, Folk Art Dolls 
Quaker Dolls 

Copyright © 2004-2023- All Rights Reserved - Written by By Linda Walsh

 Missionary Rag Babies 
China Head Dolls 
Babyland Rag Dolls With Painted Faces and Lithograph Faces
Wax Dolls, Montanari and Pierotti Dolls 
Polly Heckewelder Moravian Rag Dolls 
First Presbyterian Church Rag Dolls 
Izannah Walker Dolls
Papier-Mâché Dolls
Milliner's Models Dolls 
Boudoir Dolls 
17th, 18th and 19th Century Wardrobe or Trousseau Dolls
Topsy-Turvy Dolls - Two In One 


Copyright © 2004-2023- All Rights Reserved - Written by By Linda Walsh

The Maggie Bessie Cloth Doll
17th, 18th, and 19th Century Wooden Dolls
For The Love Of Rococo Dolls 
Hitty Dolls 
The Beautiful Collection of Fashion Dolls At The Strong National 
Museum of Play
How Wonderful! I Heard From A Descendant of Roxanna Cole - Hilarie Johnston
The French Doll Fashion Collection At The MET
The Innu Tea Doll

DOLL HISTORIES ON MY LINDA'S BLOG


Who Doesn't Love Paper Dolls?


I hope you enjoy all my posts.

For more information on all my free e-patterns, e-printables and e-books please CLICK HERE.

Please respect My Terms of Use:  All patterns, e-patterns, printables, e-printables, e-books, graphics, tutorials, how-to's, articles and other e-products © 2004-2023 Linda Walsh Originals-Designs by Linda Walsh. All rights reserved. Commercial selling or reselling by any means prohibited without the written consent of Linda Walsh.

Patterns, e-patterns, printables, e-printables, e-books, graphics, tutorials, how-to's, articles and other e-products are for personal use only. You may not modify, photocopy, download, upload, post, transmit, display, perform, publish, license, reprint, create derivative works from, mass duplicate, re-sell, digitize, and reproduce in any other form (print, digital or electric) or commercially apply, embed, share, Email, or redistribution in any other means. Use of any of the above is prohibited without the written permission of Linda Walsh.

However, you may link to my website(s)/blog(s) and the individual page(s)/blog post(s) (including 1 picture) but do not copy, reprint or duplicate my website(s)/blog(s) or individual page(s)/post(s ) without my permission.

Items made from Linda Walsh Originals E-Patterns are intended for personal use for fun or small scale personal and business profit as long as you credit us with the design. Large scale commercial use (i.e. mass production) of items made from Linda Walsh Originals E-Patterns are by permission only.

Please see my Terms and Conditions for additional information.

Copyright © 2004 - 2023 - All Rights Reserved - Written By Linda Walsh of Linda Walsh Originals and Linda's Blog. Linda is a doll maker and doll pattern designer.


Saturday, March 21, 2015

The History of Faceless Dolls - Updated February 2015

I have loved Victorian dolls since I was a little girl and can blame my grandmother for that. You see, as a young girl she gave me a Godey’s Fashion print for August 1870 that belonged to my great, great Aunt Flossie. From that moment on I was hooked. I was captivated by the beautiful dresses and wanted to create dolls wearing them.

Eventually I was able to design my own Victorian "Lady" dolls, like the one pictured on the left, who are all faceless. Now you might be wondering why they are faceless. It's because I wanted each to have its' own distinct personality.

My feeling is that faces overwhelm the dolls personality and have a greater impact on their personality. I wanted the clothing, clothes, hair, color scheme, etc. of the period to determine the personality of the doll.

As far as I am concerned "Beauty lies not only in what is seen, but what is imagined. I believe the essence of a dolls beauty should determine her personality."

You could compare this to the use of mannequins by museums. Most mannequins in museum dress & textile exhibits are either headless or have heads, but they are generally faceless. Or, they have the sculpted definition of facial features but they are not painted. The idea is to not distract from the beauty of the dress or textile piece on display. The same holds true for store window displays.

I have also been a history buff since I was a little girl and loved doing research for history projects all throughout my school years. I especially loved to research everything and anything about the Victorian Era. Their history, their etiquette, their fashion, their hopes, their desires.... In fact, sometimes I think I was born in the wrong era.

Designing handmade faceless dolls was not a novel idea as faceless dolls have been around for a long, long time. However, given my penchant for history I, of course, was curious about the history of faceless dolls. So, back in 2006 I decided to do a little research on the history of faceless dolls and wrote a research article for my Linda's Blog that I subsequently updated in 2009.

I figured that there had to be a history of handmade faceless dolls out there or, at least, some cultures and norms. Believe it or not but there wasn't a lot of information back in 2006 on the web on either the history of faceless dolls or cultures and norms that started such a tradition. There was a little more when I updated my research in 2009.

There was some information on two of the most popular and widely known faceless dolls - Amish dolls and corn husk dolls. And there was the legend surrounding Raggedy Ann and "faceless" dolls.

In doing my research, what I was pleasantly surprised with was the application of "faceless" dolls for so many current charities or organizations. More on that a little later.

I was hoping that now, in 2015, things would have changed a little and there would be more information on their history. I'm happy to report that there is a lot more now and that over the last few years there is a growing trend towards creating faceless dolls in all sorts of doll mediums - which thrills me to no end.

Part of the new trend has to do with creating eco-friendly and nature dolls and part has to do with allowing children to use their imagination more. It also has to do with comforting children facing tough medical situations. Without a face the dolls can be happy or sad, they can be laughing or crying - in essence, they can mimic the emotions of the child holding them. Putting a face on the doll defines the emotion of the doll with the child - which may or may not be comforting.

So, I decided to update my history of faceless dolls research article and include new research as well as some of the new trends. I hope you enjoy it.
























I also created a History Of Faceless Dolls .PDF.  If you would like to download my History Of Faceless Dolls .PDF please click here or on the picture below.


Copyright © 2004-2023 - All Rights Reserved - Written by By Linda Walsh

I think you all know that I, personally, love faceless dolls. Victorians, primitives, colonial, prairie dolls, rag dolls, or country style dolls. It doesn't matter. I love them all.

In fact, I created a video to reflect my feelings about faceless dolls which is: "Beauty lies not only in what is seen, but what is imagined. I believe the essence of a dolls faceless beauty should determine her personality."

Please CLICK HERE or on the video below if you would like to view my "Linda's Faceless Beauties" video.


Why do I love the faceless doll so much?

Because I think by being "faceless' the doll can be anything you want him or her to be. You create the dolls personality to be exactly what you imagine it to be. Their personality, therefore, reflects your creativity and your feelings.

And, as we've seen from the above mentioned articles the application can be heartwarming, meaningful and beautiful.

In researching doing the research to update my History of Faceless Dolls article I was thrilled to see that there are hundreds of artists and crafters who are now creating various types of "faceless" dolls in all different medium. I couldn't be happier to see all these wonderful new applications for faceless dolls. I'm hoping you all will agree.

For more information on all my free e-patterns, e-printables and e-books please CLICK HERE.

Please respect My Terms of Use:  All patterns, e-patterns, printables, e-printables, e-books, graphics, tutorials, how-to's, articles and other e-products © 2004-2023 Linda Walsh Originals-Designs by Linda Walsh. All rights reserved. Commercial selling or reselling by any means prohibited without the written consent of Linda Walsh.

Patterns, e-patterns, printables, e-printables, e-books, graphics, tutorials, how-to's, articles and other e-products are for personal use only. You may not modify, photocopy, download, upload, post, transmit, display, perform, publish, license, reprint, create derivative works from, mass duplicate, re-sell, digitize, and reproduce in any other form (print, digital or electric) or commercially apply, embed, share, Email, or redistribution in any other means. Use of any of the above is prohibited without the written permission of Linda Walsh.

However, you may link to my website(s)/blog(s) and the individual page(s)/blog post(s) (including 1 picture) but do not copy, reprint or duplicate my website(s)/blog(s) or individual page(s)/post(s ) without my permission.

Items made from Linda Walsh Originals E-Patterns are intended for personal use for fun or small scale personal and business profit as long as you credit us with the design. Large scale commercial use (i.e. mass production) of items made from Linda Walsh Originals E-Patterns are by permission only.

Please see my Terms and Conditions for additional information.

Copyright © 2004 - 2023 - All Rights Reserved - Written By Linda Walsh of Linda Walsh Originals and Linda's Blog. Linda is a doll maker and doll pattern designer.

Sunday, March 08, 2015

The History Of Faceless Dolls - Updated February 2015 - Part XXIII - Faceless Dolls For Charity and Conclusion


In doing my research on faceless dolls I was delighted to run across some websites concerning the application of "faceless" dolls in charity today and why they were chosen or made "faceless."

Back in 2006 one of those articles was about "faceless" dolls of Gloria Larocque. She has created 100 or more "faceless" dolls based upon the Iroquois legend that warns young girls about the dangers of vanity.

However, according to the article her purpose is different. Her dolls represent Canada's murdered aboriginal women, a group made faceless not by vanity but by neglect. Her project has helped draw attention to the plight of the murdered aboriginal women.

According to Gloria:"The dolls will act as a centre-piece for educating children about traditional Aboriginal culture, maintaining cultural integrity through a contemporary setting. As a teaching tool kit, the idea will be to plant seeds of survival skills concepts such as choice, strength, education, cultural connection and knowledge of self.

The kit will contain a doll in the same fashion as an Aboriginal Angel Doll, and will be presented as an “elder”. The doll will be known as Kookum RETA (grandmother rejuvenate, educate, traditional, acceptance) of the Aboriginal people from Turtle Island. The power of the elder teaching the young is a traditional aboriginal teaching method."


In 2010 the Native Women's Association of Canada (NWAC) contacted Gloria Larocque to explore the possibility of creating a similar project as hers that, "would carry forward the visual representation of strong and beautiful Aboriginal women who have become ‘faceless’ victims of crime. This collaboration resulted in NWAC’s Faceless Doll Project. The dolls created through this new project will be used to create a traveling art exhibit in memory of the more than 600 missing and murdered Aboriginal women and girls in Canada. NWAC’s Faceless Doll Project was launched in March 2012 and Community Engagement Workshops were held across the country (funded by the Status of Women Canada). Community members were invited to come and hear the Faceless Doll story and create their very own doll for inclusion in this
commemorative art project. All workshop materials were provided."

The NWAC created a Building On The Legacy Of The NWAC Faceless Doll Project: Create Your Own Faceless Dolls .PDF concerning this initiative and containing information for workshops for groups to create faceless paper dolls in tribute and solidarity of the 600 missing and murdered Aboriginal women. If you would like to see and read the Building On The Legacy Of The NWAC Faceless Doll Project: Create Your Own Faceless Dolls  .PDF please click here.

There was also an article by Brenda Tobias on the Cornell University website concerning Hurricane Katrina and something the alumni did to help the children affected by Hurricane Katrina. A group of 100 alumni got together to sew "faceless" dolls for the children. Doll decorating kits and coloring books were assembled and sent to the children to comfort them.

 The faceless dolls in the picture to the left are part of the Bumbles Dolls project that Maxmilian William Loeffler established as part of a college application essay that turned into a charitable business.

The Bumbles Dolls are small faceless dolls made by volunteers at Bumbles Dolls and donated to charities and hospitals.

According to the Bumbles.com website, "Max realized while volunteering at Overlook Medical Center, that gratitude is expressed in different ways because people can apply it to the past by remembering positive memories, apply it to the present by not taking successes for granted, and apply it to the future carrying a hopeful and positive attitude. He was interested in capturing this feeling and sharing it with others, and Bumbles Dolls were born. Max's ambition is that these special dolls inspires those that receive the gift of gratitude to keep it alive and pass it on. The story behind their creation is quite fascinating."

As to why the dolls are faceless, "I created a sketch, printed the pattern on fabric, learned simple stitching and stuffed this snuggly doll that would have no face. I created a faceless doll to imitate the doll my sister carries and I believe that without a face it can be the object of anyone’s imagination."

Members of a Kiwanis Club in Arizona make "faceless" therapy dolls for sick and injured children at a local medical center.

According to the Kiwanis Club Members Make Therapy Dolls for Kids With Cancer by David M. Brown .PDF article, "The soft-fabric, faceless dolls - often described as "doughboy dolls" after the popular Pillsbury versions - are given to children for various therapeutic functions, said Susan Vosdoganes, Friendship Village director of marketing. "

The dolls provide a comfort to the children and make the hospital and medical procedures less frightening as they can express their feelings through the doll by drawing faces on them, bandaging them, giving them yarn hair or leaving them bald for those children in chemotherapy.

If you would like to see and read the Kiwanis Club Members Make Therapy Dolls for Kids With Cancer by David M. Brown .PDF article please click here.


And, finally there is "The Comfort Doll Project" started by Pat Winter. I had written about this previously in my Linda's Blog in a post entitled Pat Winter's "The Comfort Doll Project".

"The Comfort Doll Project" benefits women of abuse and gives small mixed media dolls (some with faces and others without) to various women's shelters which are then give to a woman who has just been beaten, raped, or abused.

According to Pat Winter, "I know some may think making dolls to give to a woman who has just been beaten, raped, or abused in some way is like putting a band-aid on an amputation. Well, I see it as sending a message of hope,love,and encouragement. A gentle hug,a smile,a nudge to go forward and see there is sunshine behind the mountain.

Imagine a woman being handed a beautiful handmade doll with a message of hope attached. This doll ,from a stranger whom she will never meet,yet makes this connection of love and caring from one heart to another. A stranger who can imagine, if not know firsthand where she has been and hoping she will have brighter days ahead. The woman carries this doll in her purse, pocket, or perhaps pinned to her lapel, knowing someone cared enough to think of her. When she needs strength, she strokes it or admires it and her lips turn up with a smile and her heart warms. Yes, I am a dreamer but I do think this will happen. Actually I KNOW this will happen. Won't you join me?
"

In 2010 Pat passed the baton for the Comfort Doll Project to Brenda Hutchings and she has wonderfully continued that initiative to this date.  According to Brenda, "I can't wait to get started, and I look forward to our future of helping women to move out of the darkness and fear of abuse, into the light of hope and courage."  

If you would like to visit the new Comfort Doll Project blog please click here.  If you would like to visit the Comfort Doll Project Facebook page please click here.

I think you all know that I, personally, love faceless dolls. Victorians, primitives, colonial, prairie dolls, rag dolls, or country style dolls. It doesn't matter. I love them all.

In fact, I created a video to reflect my feelings about faceless dolls which is: "Beauty lies not only in what is seen, but what is imagined. I believe the essence of a dolls faceless beauty should determine her personality."

Please CLICK HERE or on the video below if you'd like to view my "Linda's Faceless Beauties" video.


Why do I love the faceless doll so much?

Because I think by being "faceless' the doll can be anything you want him or her to be. You create the dolls personality to be exactly what you imagine it to be. Their personality, therefore, reflects your creativity and your feelings.

And, as we've seen from the above mentioned articles the application can be heartwarming, meaningful and beautiful.

In researching doing the research to update my History of Faceless Dolls article I was thrilled to see that there are hundreds of artists and crafters who are now creating various types of "faceless" dolls in all different medium.  I couldn't be happier to see all these wonderful new applications for faceless dolls.  I'm hoping you all will agree.

The History Of Faceless Dolls - Updated February 2015 - Part XXII- A Very Famous Faceless Doll


Raggedy Ann meets Raggedy Andy for the first time; illustrated by Johnny Gruelle

As far as Raggedy Ann is concerned, one of the legends surrounding her creation is that a little girl was rummaging around her Grandmother's attic and finds a faceless, battered old doll. She brings the doll into her fathers art studio and tells him all about finding it in the attic. He looks at his daughter and the faceless doll and decides to draw a whimsical face on it and then tells her to see if her Grandmother would sew two button eyes on. And so Raggedy Ann was born.

According to Wikipedia.com Raggedy Ann was created by Johnny Gruelle (1880 - 1938) for his daughter, Marcella.   She died at the age of 13 after being vaccinated at school for smallpox without her parents consent.  Authorities blamed her death on a heart defect, but her parents blamed the vaccine.  As a result, Gruelle became a very vocal opponent of vaccination and by association Raggedy Ann became the symbol for the anti-vaccination movement.

Saturday, March 07, 2015

The History Of Faceless Dolls - Updated February 2015 - Part XXI - Books To Help You Create Your Own Faceless Dolls

One of the greatest things about creating art dolls is they can be made out of any media and be an expression of whatever the artist or maker wishes to convey. Sometimes the art doll is funky, wild, out of this world, happy, sad, or just plain "out there!"

When making art dolls nothing is more fun than mixed media art dolls. There are no boundaries and no limits where they are concerned - including "faceless" mixed media art dolls.

Sarah Lawrence is a contemporary textile artist who exhibits her creations all over the world and has written several books. One of her books, Art Dolls - 20 To Make contains the directions for making 20 of her art dolls, 7 of which are "faceless" and would be fun to make.

The 7 faceless dolls include: Jumping Jack who is a wooden bead doll, Timelines which is a textile figure doll, Statuesque and Painted Lady which are four-sided paper dolls, Angelica and Angel Choir who are wooden doll peg painted angels, Wired  Woman which is a bended wire doll, Heart Of Glass which is the beaded doll shown in the picture to the left, Man Of Dreams and Woman of Soul which are four-sided paper dolls, and Button Up which is a wood bead and button doll. Templates, if required, are included in the book but would need to be re-sized as they are shown at 67% of their size.

If you would like to see pictures of some of these dolls please click here for the Amazon.com page and then click on the book image to look inside.

You can also see pictures of Jumping Jack, Timelines, Statuesque - Painted Lady, Angelica - Angel Choir, and Heart Of Glass here.

I love angels and all the beauty, goodness, and protection they represent and especially love, guardian angels whose job it is to protect you, groups of people, even the world.

For artists and crafters angels take all sorts of shapes and sizes and can be made out of just about any medium.  That's why you find folk art angels, primitive angels, mixed media angels, Victorian angels, paper angels, woodcraft angels. glass angels, fabric angels, beaded angels, metal angels and so much more.  Angels may have faces or even be faceless - which, of course, I love.

In doing my research for this article I found a wonderful Making Angels -Ornaments, and Dolls By Hand - Step-by-Step Instructions for 47 projects by Holly Harrison.

Out of the 47 angel projects in this book 19 are faceless.  There's Kitchen Spice which is a cinnamon and nutmeg angel, Dieter's Delight which is a cooper metal angel, Sugar Shell Angel which is a spoon and cooper angel, Domestic Bliss Angel which is a wire and cloth angel, Rose Angel which is a beautiful corn husk angel, Art Deco Garden Angel which is a embossable copper sheet angel, and Maia - Springtime Angel which is a painted paper angel.

There's Crystal - Dewdrop Angel which is a wood and silver tin angel, Summer Angel which is a beach glass and crushed shells angel, Fall Harvest Angel which is a moss covered angel, Angel In Brown which is a raffia angel, Earth Angel which is a driftwood and branch angel, Winter Solstice Angel which is a copper wire mesh angel, Marina - Dancing Angel which is a seashell and wire angel, and Ballerina Angel which is an adorable cloth angel.

There's the Real Woman Angels which are cloth angels that I absolutely love, Happiness Angel which is a wire angel, Blue Angel which is a glass angel, and Valentine Angel which is a paper angel.

If you would like to see pictures of the Kitchen Spice, Dieter's Delight, Sugar Shelf Angel, and Domestic Bliss Angel please click here.

Faceless dolls can be made in just about any medium - including paper.

If you would like to learn how to make some beautiful "faceless" paper doll origami creations "Creating Lovely Paper-Flower Dolls: Using Kusudama Folding Techniques To Make 3-D Paper Figures by Joie Staff" will show you how.

This book will teach you how to make paper dolls using the Kusudama method of origami, which is basically a paper folding technique whereby multiple folded units are sewn or glued together.

Out of the 50 projects in the book 26 are for creating "faceless" paper origami art dolls.  Full-color photographs and black-and-white diagrams with detailed instructions will show you how.

Since I am partial to everything and anything Victorian my favorites are the Edwardian Ladies, Southern Belles, Miss Caroline, Afternoon Tea (like the doll shown in the picture to the right from the front cover of the book), Evening Gown, Parasol Princess and Sheer Fantasy.

I also love the7 different designs for the Bridal Party doll creations, the Anne of Green Gables (like the doll shown in the picture to the left from the front cover of the book), and the 8 different Asian Folk Dolls.

If you would like to see a preview of" Creating Lovely Paper-Flower Dolls: Using Kusudama Folding Techniques To Make 3-D Paper Figures by Joie Staff " please click here.

In the book Dollmaking For The First Time By Miriram Gouley in Section 3 - Beyond The Basics there is a project showing you how to make doll into an ornament by creating two different versions of a creative embroidered faceless angel. Pearl fabric paint, seed pearls and satin roses are used to embellish the faceless angels.

Friday, March 06, 2015

The History Of Faceless Dolls - Updated February 2015 - Part XX - Other Faceless Doll Art


Karen Meacham, is a prekindergarten teacher at an independent school who, according to her, " is someone who loves creating natural toys and loves children." She makes the most adorable faceless (Waldorf inspired) wood carved art dolls (like the doll shown in the picture to the bottom right), carved wooden peg dolls (like the doll shown in the pictures below), and needle felted art dolls (like the Geisha doll shown in the picture to the right).

According to the Karen Meacham Designs Faceless Soft-Felted Toys article by Lynda Heines in the Evansville Courier & Press from Oct. 2, 2011, " Karen Meacham designs her faceless soft-felted toys to encourage children to use their imaginations."

"Inspired by the Waldorf approach to education, which encourages children to use their imagination, Meacham's creations allow children to act out their own scenarios and decide for themselves the emotions of the dolls. And they are made of all natural materials."

Her Little Acorns Blog by Karen Meacham blog is filled with posts about her life, her family, her natural classroom and being a teacher, and includes some tutorials showing how she made some of her dolls.

She has a couple charming posts and/or tutorials on her blog concerning the needle felted playscape she made and all the wooden peg people she carved and painted for this.

For her playscape according to Karen, "My original idea was to create a little scene in which small figures could interact in a variety of ways and in a variety of places. I also wanted to create a "location" to which children could add their own personal touches such as housewares, furniture, animals, gardening tools or different garden crops, or a fishing rod."

If you would like to see and read her Felted Playscape: Part I tutorial and post please click here.

Tutorial on Carving Peg People: Mother Earth and her Root Children (Felted Playscape: Part II) is a charming post and tutorial about carving the Mother Earth and her children that she wanted for her playscape.

According to Karen, "I am not a stranger to peg people.  I love using them in the classroom.  We use them for a "first day of school" project. The children paint and decorate one to represent themselves. They are then strung on a string and hung on hooks outside each center area......"

"But to give peg people a little extra personality, a little extra zing if you will, they might need a wee bit more than paint.  Shaping peg people (as I have discovered after creating 10 of them) gives them a little more personality.  Children have marvelous imaginations and certainly do not require the level of detail I have given my creations, but I enjoy making them.  Plus in the past, our students did seem to especially enjoy playing with toys they knew I had created with our class in mind."

If you would like to see and read her Carving Peg People: Mother Earth and her Root Children (Felted Playscape: Part II) tutorial and post please click here.

Carving Peg People: Part II  is about the other wood carved art dolls she made and includes a few hints into her reason for creating them and many, many pictures of her adorable creations.

If you would like to see and read her Carving Peg People: Part II  tutorial please click here.

On the My Auction Finds.... and the Stories Behind Them website there was an article by Sherry entitled,  Numbers were small but talents were big at Harlem Doll Show about the dolls being exhibited at a Harlem doll show.

In the article there were two art doll artists who were selling some of the faceless art dolls they had made. They were absolutely incredible so I wanted to learn more about these two artists and their "faceless" creations.

Doll artist Tanya Montegut of “Dolls by MonTQ” sells the "faceless" art dolls shown in the pictures to the left and below right.

According to Sherry's article, "Her “Dolls by MonTQ” have the look and feel of women who love themselves and love a good time. They don’t say a word but you can feel the energy in them, and you can see the ebulliency of their personality in Montegut herself, whose dolls seem to be created in her image."

"The first thing you noticed was that her dolls had no facial features, reminding me of the Lime dolls of the Dominican Republic that I own. She allows folks – in their own heads – to put their own faces on the dolls, making them into the image of a sister, aunt, mother or other relative. An interesting concept, I thought."

Tanya is a member of the Black Artists Guild and says on her Dolls By MonTQ page, "Over time, I began to realize that dolls are much more than just a plaything. Historically, they are an expression of people and their cultures. My inspiration comes from the folks I’ve met in my lifetime and I feel honored to capture just a glimpse of their spirit and pass it forward."

If you would like to see more of Tanya's art dolls please visit her Dolls By MonTQ Black Artists Guild page and watch the video trailer and view her slideshow.  You can definitely sense the personalities of all her art dolls.

Doll artist Regina Dale of "T.A.S.T.E." also creates faceless art dolls, like those shown in the picture to the left and below right.

According to Sherry's article, "Most of her cloth dolls were faceless, too, and most were dressed to the nines. I suspect that making beautiful clothes is just as much fun for these folks as making the dolls themselves – bringing out the fashion designer in them. The clothes truly match the workmanship of the dolls."

In her Queenhealer 7 Etsy shop announcement she stated, "My dolls were created to give honor and thanks to our ancestors who came before us and made the foundation on which I stand. I am over joyed with the responses of the global community. You all empower me !! Thank you for your many blessings and encouraging words. Surly, my dolls will serve the purpose of healing for who ever possess it!"

If you would like to see more of Regina's art dolls please visit her Regina Dale NaNa kwakyebea's Page Black Artist Guild page and view her slideshow.  Her dolls are one of a kind art dolls whose personalities definitely shine through.

Sarah of Bloomooks designs couture cloth art dolls, some faceless (like those shown in the pictures to the right and left) and some with faces.

All have beautiful couture outfits either based on Sarah's designs or based on an outfit from history, or an outfit from the fashion runway.

Sarah also does custom doll designs in which she will create a doll for you (faceless or otherwise) with an outfit of your choosing either from history, current fashion, favorite celebrity, friend of family member. She will also create a keepsake doll with the outfit made from a loved one's clothing.

According to her Bloomooks Etsy shop owner profile,

"My name is Sarah. I live in Missouri. Although my Etsy shop is relatively new, I've been making dolls for the last five years. I like to make dolls as a way to explore fashion design. My inspirations are varied, from the neon shock value of Pop Art to the rich visual tapestry of the Middle Ages."

Sarah's dolls definitely speak to you through their outfits and certainly define their personality.

Sometimes I see "faceless" art doll creations that just take my breath away. Such was the case when I saw pictures of the amazingly beautiful "faceless" art dolls by Joy A. (MacLeod) Kirkwood.

Joy is an accomplished mixed media figurative art doll artist, visual arts teacher who is known for her Personal Journey Doll Workshops and has been teaching them for 16+ years,  has presented her works of art all over Canada, and has been published and interviewed many times.

According to Joy, "I am a lifelong learner with a ‘can do’ attitude, innovative problem solving skills, and an appreciation for collaborative projects. "

She describes her Personal Journey Doll Workshops as follows, “The art of free-form doll making is designed as a gentle way to free up your imagination and bring fun and spontaneity into the creative process. The distinctly, nontraditional doll making techniques are easy to learn, enjoyable to do, and full of expressive possibilities. These include twisting, wrapping, knotting, stitching, and/or gluing the ‘one of a kind’ doll creation together.”

Her artist statement: “Each poetic, enigmatic figure created is an expression of a feeling or idea rather than a lifelike portrayal of a human and is formed intuitively; playfully. My intent is to fuse my creative imagination with my artistic skills to enchant both adult and child alike.”

If you would like to see more of Joy's astonishing art doll creations and other beautiful art pieces please visit her Art by Joy A. Kirkwood - ART FROM THE HEART website here.

The History Of Faceless Dolls - Updated February 2015 - Part XVIIII - The Ruth E. Aten World Doll Collection: Americas


The Department of Folklore and Ethnomusicology at Indiana University is, according to their website, " a leading center for the worldwide study of vernacular arts, and of the historical, cultural and social contexts in which these arts are embedded. The home to two closely aligned disciplines with a deep shared history at IU, the department has a distinguished history and a bright future in the areas of research, teaching, public outreach and community service."

One of the items in their collection is The Ruth E. Aten World Doll Collection: Americas.  It is a collection of dolls from Latin America, the Carribean, Central America, North America and South America.

Most of the dolls in her collection have faces, but there were several that didn't. It is an incedible collection to see.  If you would like to view The Ruth E. Aten World Doll Collection: Americas collection pleaser click here.

Here's a few of the faceless dolls from her doll collection with some of the information on each doll:

NAmer41. U.S.A. Colonial Clothespin Doll

6” Small doll made of clothespins and dressed in colonial attire with a calico print dress, bonnet and white rickrack trim apron.

Making dolls out of clothespins was a popular early form of doll making.

Given by Ruth Aten. 1999

NAmer40. Eagle, Alaska, U.S.A.. Alaskan Mother and Baby 

8” Handmade stuffed doll of mother and baby, flowered cotton outfit with fur trim, sculptured head with beaded eyes.

Tag: “This symbol is your guarantee that this is a genuine article, made in Alaska, handcrafted by an Alaska resident artist or craftsman.

Doll was made by Sharon Hamilton, a resident of Eagle, Alaska. Eagle is a small isolated village in Alaska where they survive the winters by growing and gathering food from the land.

As a resident said, “Here we prefer eating bears that lived in the woods and ate berries to bears that ate fish from a stream or river. Bears that live on berries are sweeter and not fishy tasting; they’re pre-marinated.”

Purchased by Ruth Aten in Eagle, Alaska. 2005

NAmer22. Savannah, Georgia, U.S.A. Burlap Mother and Daughter 

10" Burlap sewn and molded mother and daughter.

Mother is braiding daughter’s hair.

Purchased in an arts and craft store in Savannah by Ruth Aten.

Tag: “Village Weavers”. 2002

NAmer46. U.S.A. Woven Straw Doll

7” Woven straw doll in basket weave design with hat and carrying a basket with silk flowers.

NAmer50. U.S.A.. Iroquois Corn Husk Mother and Baby

11” Corn Husk Iroquois Doll holding baby wrapped in red Indian calico print cloth. Mother has black yarn hair. She has a beaded necklace and is holding a authentic woven basket.

Accompanying card: “Legend of “No Face” Doll. There’s an old Iroquois story that says the first original cornhusk doll walked the earth with a beautiful face. As the years went by she became more and more enamored with her loveliness.  Instead of tending to her chores, she spent her days gazing longingly and lovingly at her beautiful reflection in the ponds and rivers. Eventually the legend states that the owl took her face away as punishment for her idleness and vanity. A doll with no face also gives children a chance to use their imagination. These dolls were originally made just for children to play with.  But today they are valued as collectibles and there is no right or wrong way to make a cornhusk doll. Whatever the doll maker creates today is just as valid as the cornhusk dolls of centuries past. YAWAKO, Mary Lee Prescott, Oneida Nation, Roll #6307”.

Given by John Johnson (faculty) 2006. John is part Cherokee and therefore very interested in their culture. He purchased this doll as a Christmas present that included a card: “Corn dollies are very traditional in Indian country.  I bought this one from the woman who made it. And by the way, the Iroquois nation are our (the Cherokees) first cousins. Even the miniature basket is woven correctly!”

NAmer52. Indiana, U.S.A.  Amish Doll

17” Handmade, no face, Amish doll. Doll is dressed in traditional clothes of a plain cotton woven dress and pantaloons and a black bonnet and black shoes.

This is a typical no face Amish doll. There are many theories of why Amish do not allow faces on dolls, photographs of themselves, or mirrors in their homes, but the most popular belief is that these images center on pride and vain and violates the Biblical commandment, “Thou shalt not make unto thyself a graven image”.

Given by Warren Roberts and John Johnson (faculty). Warren and John would regularly attend flea markets together in search of collectable baskets, tools, and ratchets, and they purchased this doll at one of those events. 1990s

NAmer55. Amish Acres, Indiana, U.S.A.  Amish Quilter.

16” Handmade stuffed no face Amish girl quilting. Doll is dressed in traditional Amish outfit with plain blue dress, off-white pinafore and pantaloons and a black bonnet and scissors on a cord around her neck. In one hand she is holding a quilted piece in a quilting frame and in the other hand is a basket of quilting supplies with a heart: “Rebecca’s Amish Quilts”.

Written on her back: “Linda Brunt 93. Amish women and girls are noted for their lovely homemade quilts and are sold in Amish communities as a source of income.

Ruth Aten purchased the doll on a trip to Amish Acres, Indiana. 1994

NAmer2. U.S.A. Corn Husk Doll with Churn

5 ½” Corn husk female doll with fiber hair, hand on hip, and holding a churn.

Given by Linda Adams (student).

Linda wrote, “Dear Ruth, I brought you this corn-shuck doll from Berea, Kentucky. It was made by the Richey family.”

NAmer4. Virginia, U.S.A.  Corn Husk Doll Carrying Basket of Flowers

7½” Made of corn husks, straw hat, brown fiber hair, blue apron, carrying a basket with straw flowers.

Handmade by Staynelle Marshall.

Given by Patricia Sawin (student)

The The Ruth E. Aten World Doll Collection: Americasis a wonderful doll collection to see. If you would like to see the rest of the dolls in this collection please click here. 

Thursday, March 05, 2015

The History Of Faceless Dolls - Updated February 2015 - Part XVIII - Faceless Dolls From Carole's World Costume Doll Collection


I have been a collector of dolls my entire life and love looking at other doll collections. In updating my faceless doll article I found several websites with information on and pictures of the dolls in their world collections.

The largest collection of world dolls I found was Carole's from World Costume Doll. She has been collecting dolls since 1957 and has information on and pictures of the 1900 dolls in her collection. The dolls are all part of Carole's private collection and not for sale.

Most of the dolls in her collection have faces, but there were several that didn't. It is an incredible collection to see.  If you would like to view her World Costume Doll collection please click here.

Here's a few of the faceless dolls from her world doll collection with some of the information on each doll:

Zulu Matron Doll

Continent: Africa
Region: Southern Africa
Country: South Africa
Year: C.1980
Type: Tribal
Material: Cardboard
Id: Africa - South Africa - 001

If you would like to read more about what Carole had to say about this doll please click here.

BOTSWANA - Tribal doll

Continent: Africa
Region: Southern Africa
Country: Botswana
Year: C.1960
Type: Tribal
Material: Rag and cloth
Id: Africa - Botswana - 002

If you would like to read more about what Carole had to say about this doll please click here.

BENIN (Porto Novo)

Continent: Africa
Country: Benin
Year: C.1985
Type: Local dress
Material: Rag and cloth
Maker: AUGUSTE M. (Voodoo Practitioner)
Id: Africa - Benin - 002, 002A and 002B

If you would like to read more about what Carole had to say about this doll please click here. 

BRAZIL - Orixa Doll

Continent: America
Country: Brazil
Year: 2010
Type: Religious
Material: Rag and cloth
Id: America - Brazil - 007 and 007A

If you would like to read more about what Carole had to say about this doll please click here. 


UNITED STATES OF AMERICA - pair of Ci'k'ala dolls (Oglala Sioux)

Continent: America
Country: United States of America
Year: 1991
Type: Tribal
Material: Other
Id: America - United States of America - 0026

If you would like to read more about what Carole had to say about this doll please click here. 

PORTUGAL - lady spinning

Continent: Europe
Country: Portugal
Year: C.1990
Type: Traditional costume
Material: Hessian
Id: Europe - Portugal - 0016

If you would like to read more about what Carole had to say about this doll please click here. 

SCOTLAND (Shetland Islands) - crofter - hand made character doll

Continent: Europe
Country: Scotland
Year: C.1980
Type: Character
Material: Rag and cloth
Id: Europe - Scotland (Shetland Islands) - 003



If you would like to read more about what Carole had to say about this doll please click here.