How I Made My Harem Mixed Media Collage Shelf Sitter Witch Stump Doll

If you've been following me all these years you know that I absolutely LOVE Halloween and all the wonderful creatures that can be made like witches, ghosts, goblins, Dracula, Frankenstein, jack-o-lanterns, bats, spiders and spider webs, skeletons, mummies, and so much more. There's so much for crafters to work with surrounding Halloween - what's not to love. 

You can make all sorts of Halloween creatures out of cloth, wood, cloth and wood, paper, clay, needle-craft, etc. I love them all but have a fondness for witches. 

Several years ago, when I was doing a little cleaning of my craft area, I found some 3/4" wood shelf sitter shapes that my husband had cut out for me a years before.  I had intended to make a painted figure of some sort out of them. 

Well, in looking at the wood I thought they might make perfect mixed media shelf sitter witches with paper-clay faces and collage outfits.   So, I decided to make two of them, which are shown below. 

Hildegarde Brie, who is pictured on the left in the picture above, and her twin sister, Hildegarde Ann, who is pictured on the right in the picture above, can hardly wait for Halloween.  Not because they love scaring people. but because they're good witches and love handing candy out to all the trick-or-treaters. In fact, they're known in their neighborhood for having the best candy. 

Both Hildegarde Ann and Hildegarde Brie are  6 1/2" x 6 1/2" x 3/4" mixed media shelf sitter wood dolls with painted paper-clay faces with black bead eyes, sponge painted wood bodies and paper collage embellished outfits. Their sides and back are sponge painted in their favorite Halloween colors and their outfits are embellished paper collages adorned with a jack-o-lanterns, clocks, bats,  scary insects, raised dots and ribbon bows. Their gray thick alpaca yarn hair is from my sister's alpaca Masquerade's Rock Garden Alpacas fiber and is barely controlled under their witches hats. Masquerade's yarn is also wrapped around the band of their witches hats and adorns the brim of the underside of their witches hats. 

I had so much fun making Hildegarde Ann and Hildegarde Brie that I decided to make three more and this time decided to make a trio of mixed media Victorian collage shelf sitter witches. Hazel, Hazlett, and Harem are a trio of witches are as ugly as they are confused.   

Halloween is coming up and they have lost their witches brew recipe.  They've looked everywhere and cannot find it.  Without it Halloween will just not be the same.  Can you help them? 

Hazel, pictured in the center, Hazlett, pictured on the right, and Harem, pictured on the left, are 6" x 6" x 3/4" mixed media Victorian witch wood dolls with painted paper-clay faces with black bead eyes, red painted mouths, rosy blushed cheeks, glitter painted finger nails, sponge painted wood bodies, paper collage and embellished outfits. Their sides and back are sponge painted and their outfits are multi-layer embellished paper collages with black paper capes tied with ribbon bows under their necks. Their light gray curly alpaca yarn hair from Rock Garden Alpacas Fiber is barely controlled under their witches hats.  Paper jack-o-lanterns with painted faces and swords and key steam-punk paper images add charm to their collage outfits.  

It's almost time for the witches to come out and they can hardly wait. I loved making all my mixed media witches so much I thought you might like to know how I made my Harem Mixed Media Collage Shelf Sitter Witch so you could make one of your own. Here’s how: 

Supplies Needed: 

3/4" wood pine - 8" by 8" by 3/4" 

Paper Clay Acrylic Paint - Black, Orange, Dark Purple, Lilac, Pink, Dark Flesh 

Paper Clay Sculpting Tools 

Sandpaper 

Low Temperature Hot Glue Gun and Hot Glue Sticks 

1/4” Black Beads or Round Buttons - 2 

Various Scrapbook Papers - Black (Solid), Black (Textured), Gray, Lilac, Black/White and Other Colors Orange Scrapbook Paper 

1/8" Black Decorative Ribbon Trim - 18" Long 

Blush for Cheeks - Dark Brown Color 

Micron Markers - Black and Silver of Various Widths 

Metallic Paint - Shiny Silver  

ModPodge 

Liquitex Matte Medium 

Paint Brushes 

White Paper Sheets 

Lead Pencil 

Stabilo Pencil - Black (for shading) 

Tortillons (for blending stabilo lines) 

Band-saw and Table Saw to Cut The Wood 

Paper Towel 

Small Nail Files or Emery Boards 

Decorative Edge Cutting Scissors Scissors 

Sea Sponges 

Small Wallpaper Roller 

Wood Glue 

Wax Paper 

Thick Loopy Alpaca Yarn or Other Loopy Yarn 

Felt Witch’s Hat - 4” 

Round Silver Glitter Paint 

Harem 6" x 6" x 3/4" Handmade Mixed Media Victorian Collage Shelf Sitter Witch Doll With Paper-clay Face 

Harem is a 6" x 6" x 3/4" mixed media Victorian witch wood doll with a painted paper-clay face with black bead eyes, red painted mouth, rosy blushed cheeks, glitter painted finger nails, sponge painted wood body, paper collage and embellished outfit. Her sides and back are sponge painted and her outfit is a multi-layer embellished paper collage with black paper cape tied with a ribbon bow under her neck. Her light gray curly alpaca yarn hair from Rock Garden Alpacas Fiber is barely controlled under her witches hat.  A paper jack-o-lantern with painted face and sword and key steam-punk paper image add charm to her collage outfit. 

1) Using the paper body template example and measurements from Diagram #1 above draw a body template on a white piece of paper with the lead pencil.  Adjust as necessary so your measurements match the ones in the Paper Body Template Example - Diagram #1 above. 

 2) Highlight the outside edges with the black micron markers and then cut the paper body template outside the black marker edge lines. 

 3) Cut a piece of 3/4 " pine 8" by 8" square with the table saw.

 4) Center the paper body template on the 8" by 8" wood square and draw along the outside edge with the lead pencil. 

5)  Cut the wood body out along the outside edges with the band saw. Your wood body and wood body measurements should be similar to the wood body example shown in Diagram #2 above and be able to stand evenly. 

6) Sand all edges of the wood body so they are smooth to the touch.  Make sure the sanding doesn't affect the ability of the wood body to stand evenly. 

7) Once you're satisfied with the sanding wipe all the edges and sides down with a wet piece of paper towel. 

8)  Paint the front (except the head area which you need to leave bare), sides, bottom and the back of the wood body with the black acrylic paint.  See Diagram #3 above. 

9)  Using the sea sponges paint the sides and the back of the wood body with the lilac, dark purple and then orange acrylic paint.  See Diagram #4 above. 

10) Your sponge painted areas should look similar to the pictures above. 

11)  Apply Liquitex matte medium to the front (except the head area which you should leave bare), sides, and back of the wood body to seal your painted areas.  Let dry completely. 

12) Cut a piece of black and white scrapbook paper to fit the front area of the front side leaving the head area bare (as shown in Diagram #5 above) and making sure the edges slightly overhang the side and bottom edges. 

13) Apply ModPodge to the front side of the wood body (leaving the head area bare) with a brush. 

14)  Position the front piece on the front side of the wood body and press down until it is firmly in place.  

15) Roll it with the small wallpaper roller until it is securely in place and adheres to the front side. 

16)  Gently sand the side and bottom edges of the black and white scrapbook paper with the small nail files or emery boards until they are flush and smooth with the sides. 

17) Apply a thin layer of the ModPodge to the black and white scrapbook piece on the front of the wood body to seal it in place. 

18) Cut a piece of the solid black scrapbook paper for the overdress using the shapes shown in Diagram #6 above. Cut the side edges with the regular scissors making sure the side edges slightly overhang the side edges of the wood body by 1/32". Cut the bottom of the overdress with the Decorative Edge Cutting Scissors in a scalloped pattern as shown above. 

19) Apply ModPodge to the back side of the overdress. 

20)  Position the solid black scrapbook overdress piece on the front side of the wood body and press down until it is firmly in place. 

21) Roll it with the small wallpaper roller until it is securely in place and adheres to the front side. 

22)  Gently sand the sides of the overdress scrapbook paper piece with the small nail files or emery boards until they are flush and smooth with the sides. 

23) Apply a thin layer of the ModPodge to the solid black scrapbook piece on the front of the wood body to seal it in place. 

24) Cut a piece of the lilac scrapbook paper for the jacket using the regular scissors in the shape shown in Diagram #7 above making sure you cut long ragged sections for the bottom of the jacket making sure the side edges slightly overhang the side edges of the wood body by 1/32. 

25) Apply ModPodge to the back side of the jacket. 

26)  Position the lilac jacket piece on the front side of the wood body and press down until it is firmly in place.  

27) Roll it with the small wallpaper roller until it is securely in place and adheres to the front side. 

28)  Gently sand the sides of the lilac jacket piece with the small nail files or emery boards until they are flush and smooth with the sides. 

29) Apply a thin layer of the ModPodge to the lilac jacket piece on the front of the wood body to seal it in place. 

30) Using the hands example from Diagram #8 above draw the hands for the witch making sure your hands will be sized correctly for your witch piece. 

31) Using the jacket sleeves example from Diagram #9 above draw the jacket sleeves for the witch out of the lilac scrapbook paper making sure your jacket sleeves will be sized correctly for your witch piece. 

32) Apply ModPodge to the top front side of each of the hands that will be positioned under the bottom of the sleeves with a brush, as shown in Diagram #10 above and then positioned them there. 

33) Apply ModPodge to the back side of the combined sleeve and hand pieces. 

34)  Position the sleeves and hands pieces on the front of the body as shown in Diagram #11 above and press down until they are firmly in place.  

35) Roll them with the small wallpaper roller until they are securely in place and adhere to the front of the jacket. 

36) Apply a thin layer of the ModPodge to the sleeve and pieces on the front of the wood body to seal them in place. 

37) Cut a piece of the textured scrapbook paper for the black cape using the shapes shown in Diagram #12 above. Cut the side edges with the regular scissors making sure the side edges slightly overhang the side edges of the wood body by 1/32". Cut the front edges of the cape with the Decorative Edge Cutting Scissors in a scalloped pattern as shown above. 

38) Apply ModPodge to the back side of the cape with a brush. 

39)  Position the cape piece on the front of the doll as shown in Diagram #12 above and press down until it is firmly in place.  

40) Roll it with the small wallpaper roller until it is securely in place and adheres to the jacket. 

41)  Gently sand the side and bottom edges of the cape piece with the small nail files or emery boards until they are flush and smooth with the sides. 

42) Apply a thin layer of the ModPodge to the cape piece on the front of the wood body to seal it in place. 

43) Cut a piece of the orange scrapbook paper for the jack-o-lantern for the front of the wood body, using the example in Diagram #13 above as a guide, making sure it’s sized to fit your witch. 

44) Cut a piece of the black scrapbook paper for the pendulum tie for the front of the wood body, using the example in Diagram #13 above as a guide, making sure it’s sized to fit your witch. 

45) Cut a piece of the black scrapbook paper for the key decoration for the front of the wood body, using the example in Diagram #13 above as a guide.

46) Apply ModPodge to the back side of the pumpkin with a brush. 

47)  Position the pumpkin piece on the witch’s left front as shown in Diagram #14 above and press down until it is firmly in place.  

48) Roll it with the small wallpaper roller until it is securely in place and adheres to the front of the wood body.

49) Apply ModPodge to the back side of the pendulum tie with a brush. 

50)  Position the pendulum tie piece in the center of the witch’s body just under her neck, as shown in Diagram #14 above and press down until it is firmly in place.  

51) Roll it with the small wallpaper roller until it is securely in place and adheres to the front of the wood body. 

52) Apply ModPodge to the back side of the key with a brush. 

53)  Position the key piece on the right bottom front side of the witch, as shown in Diagram #14 above and press down until it is firmly in place.  

54) Roll it with the small wallpaper roller until it is securely in place and adheres to the front of the wood body. 

55) Apply a thin layer of the ModPodge to the entire front of the wood body, leaving the face area bare. Let dry completely. 

56)  Using the paper clay sculpting tools, cut a 2” by 2” by 1” deep rectangle of the paper clay out to fit the face area of the witch. 

57) Roll the paper clay rectangle with your hands into a flat oval shape that will fit the head area of the witch. 

58) Lie your paper clay oval flat on a piece of wax paper until you add the nose. 

59) Using the paper clay sculpting tools cut a small piece of the paper clay and roll it into a 2” long by 1/3” wide long tube. 

60) When you’re satisfied with the length of the tube cut it in half with the sculpting tools. 

61) Gently roll one end of the tube into a point and then bend it down slightly so it will appear as a crooked nose, as shown in Diagram #15.

62) Gently press the other end into the center of your oval head and using the paper clay sculpting tools blend the paper clay end of the nose into the center of the face until you have a smooth intersection and no evidence of two separate pieces of paper clay, as shown in Diagram #15. 

63) If need be gently bend the tip of the nose down again. 

64) Insert one of the sculpting tools into the paper clay just below the nose to form a mouth, as shown in Diagram #15. 

65) Use your fingers and the paper clay sculpting tools to create two small hollow indent sections for the eyes just to the left and right sides of the nose, as shown in Diagram #15. 

66) Apply a small amount of hot glue to the back of one of the black beads for the eye and gently insert into the indented hollow section on the left side of the nose about 1/4” away from the nose, as shown on Diagram #15. 

67) Do the same for the other black bead and insert it into the indented hollow section the right side of the nose about 1/4” away from the nose, as shown in Diagram #15. 

68) Leave the paper clay head on the wax paper until it is dry. 

69) When the head is completely dry use the paper clay sculpting tools to adjust or remove any excess clay bits there might be on the front of the head.  There may or may not be some there. 

70) When the face is completely dry look for any cracks on the paper clay.  If there are any fill the cracks in with a tiny piece of paper clay making sure it fills the crack but doesn't interfere with the smooth side of the head.  Let dry completely. 

71) Lightly sand the head face with the sand paper until the edges, back, and face are smooth.  Make sure the back of the head still lies flat. 

72)  Paint the front and sides of the head with the dark flesh acrylic paint leaving the back bare, as shown in Diagram #16. 

73) Paint the inside of the mouth with the pink acrylic paint, as shown in Diagram #16. 

74) Brush some of the Liquitex matte medium on the front and side of the head and nose to secure the dark flesh paint, as shown in Diagram #16 and let dry completely. 

75) Apply the wood glue to the back of the head and position the head the wood body as shown in Diagram #17 above.  Press down firmly to make sure the face lies flat and adheres to the wood.  Remove any excess glue along the sides with a wet paper towel. 

76)  Let dry until the head is securely set. 

77)  Apply a small amount of the dark colored blush to the cheeks, nose, chin and forehead, as shown in Diagram #18. 

78) Use the black stabile pencil to draw the eyebrows, as shown in Diagram #18. 

79) Cut a piece of the 1/8”ribbon trim 12" long.  Form into a bow and using the hot glue, adhere the center of the bow just under the chin and just above the pendulum tie, as shown in the picture above. 

80) To make the hair you are going to use loops of the 1/4” thick loopy alpaca yarn, glued all over the head, as shown in the picture above. 

81) The easiest way to do this is to loop the yarn around 4 fingers 4 – 5 times (See Diagram #19). 

82) Take the loops off the hand and, holding the center-point, wrap 2-3 times tightly, knot to secure and then tie it off (See Diagram #19). 

83) Hot glue the center-point of the loops all over the head, as shown in the picture below. 

84) The loops should be about 1 1/2” long from the center point and facing upwards with the center-point hot glued to the head. 

85) Apply glue to the inside of the black felt witch’s hat and affix it to the top of the witch’s head, as shown in the pictures above. 

86) The witch, her hat and her hair should look as shown in the picture above. 

87) Use the black stabilo pencil to shade the edges of all the arm sleeves, jacket edges, and edge of the cape as shown in Diagram #20 above. 

88) Blend all the stabilo lines with the Tortillions. 

89) Make sure the blending is pleasing to the eye.  If need be add more shading with the black stabilo pencil and blend again.

90) Use the black micron marker to draw the eyes, mouth lines, and pumpkin lines of the jack-o-lantern, as shown in the picture above. 

91)  Use the black stabilo pencil to shade the edges of the pumpkin, shade areas near the eyes, shade areas of the cheeks, and shade areas around the mouth, as shown in the picture above, and then blend the stabilo lines with the Tortillions. 

92) Make sure the blending of the jack-o-lantern is pleasing to the eye.  If need be add more shading with the black stabilo pencil and blend again. 

93)  Use the black stabilo pencil to shade the edges of the key, as shown in the picture above, and then blend the stabilo lines with the Tortillions. 

94) Make sure the blending of the key is pleasing to the eye.  If need be add more shading with the black stabilo pencil and blend again. 

95)  Use the silver micron marker to draw an outline around the edges of the key, as shown in the picture above.

96)  Use the black stabilo pencil to shade the edges of the pendulum tie, as shown in the picture above an then blend the stabilo lines with the Tortillions. 

97) Make sure the blending of the pendulum tie is pleasing to the eye.  If need be add more shading with the black stabilo pencil and blend again. 

98)  Use the silver micron marker to draw an outline around the edges of the pendulum tie, as shown in the picture above. 

99) Add a droplet of the silver glitter paint to the top of the pendulum tie, as shown in the picture above and let it dry. 

100) Add droplets to the fingernails of the fingers, as shown in the picture above and let them dry. 

Congratulations! Your mixed media witch art doll is done. 

I also created a free e-book for you showing how I made my Harem mixed media collage self sitter witch.

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The Beautiful Artwork of Hally Levesque's "The Spirit Woods" Exhibition

In the spring I saw a Facebook post from Hally Levesque about an exhibit she was having at a local Canadian art gallery where she would be exhibiting and selling some of her beautiful  "The Spirit Woods" art pieces. 

Lady of the Woods Tryptich by Hally Levesque

I was thrilled as Hally is an exceptional artist who creates art dolls, mixed media art, paper art, collage art and more.  Not only is she an exceptional art doll artist, but she is also an art teacher, storyteller, photographer and a bit of a history buff. 

Her online class video's are easy to follow and beautifully taught as well as being sprinkled with all sort of historical tidbits or stories, which I just love.

Hally Levesque -  Artful Gathering 2015 - Bonnets & Bows: A Regency Doll Project

I first encountered Hally after taking her "Bonnets & Bows: A Regency Doll Project" at Artful Gathering in the spring of 2015.  I, of course, was interested in this class as she was showing you how to make a paper-clay historical Regency period art doll.  

To me I had hit the jackpot: a Victorian like art doll with historical tidbits sprinkled throughout.  What's not to love.

Hally Levesque - Artful Gathering 2016 - Romantic Rosabella - A Ribbons & Roses Doll Project 

Hally Levesque - Artful Gathering 2016 Wee Winter Whimsies - Primitive Folk Art Dolls for the Holidays

Hally Levesque - Artful Gathering 2017 Tassels & Tiaras: A Winged Wonders Doll Project

I loved her first class so much I ended up taking 3 more or her Artful Gathering online classes.  Each of those classes was just as good if not better than her Bonnets & Bows class.

Creative Works  

As I already said, Hally is an exceptional artist as well as an exceptional teacher.  Luckily for all of you Hally's classes are available as video's on her Creative Works website here.   Her video's are well thought out, easy to follow, and entertaining.   If you love dolls and get a chance to take one of her classes or buy one of her video's you won't be disappointed.  

After taking her Romantic Rosabella class I learned that I had won the beautiful "Winter Roses" art doll that Hally Levesque was raffling off to one of the students from her Romantic Rosabella and Wee Winter Whimsies classes at Artful Gathering. 

I couldn't believe it! I never win anything - especially a gorgeous art doll made by an unbelievably talented and gifted art doll artist - Hally Levesque.

When I opened up her box I was just astonished.   She was even more beautiful than her pictures depicted.  

What I couldn't get over was her remarkable face. She was a totally handmade, hand sculpted, and hand painted art doll. The hand painted features on her face, which is only 1 3/4" long and 1 1/4" wide, were beautifully done and unbelievable. 

All I could say was "Wow!" She was utterly gorgeous and a true inspiration for what a beautiful art doll can look like.

So, you can imagine how thrilled I was with Hally's enchanting exhibit. I was happy for Hally, but also for everyone who could see some of her beautiful art pieces in person and be able to purchase some of them - which, of course, I did.

According to Hally on "The Spirit Woods" page of her Creative Works website; "The seed for this project was planted in 2018 when I was looking for something new and challenging to get the creative juices flowing.  I found my inspiration when I stumbled upon pictures on the Internet of some very unusual looking mushrooms.  I was struck by how they were both alien-like and yet oddly beautiful.  I began to play with the idea of incorporating the subject into my art. From there, the imagery spilled over into other areas.  I imagined an entire body of work devoted to the subject of nature spirits.  My fascination with moths also came into play and before I knew it, a narrative began to take form culminating in a journal with a series of accompanying art works."

 "The Spirit Woods" 

Hally has four sections that you can click on and view on her  "The Spirit Woods" page regarding her creations: The Spirit Woods Journal, The Video, The Art Projects, and a Gallery Display.  If you love art and love learning about the inspiration behind Hally's exceptional works of art please do yourself a favor and click on the links on her  "The Spirit Woods" page.  

As mentioned before, Hally is a storyteller and historian who takes you into the inner world of her enchanting art pieces.  I guarantee you won't be disappointed. 

It was hard to choose which art pieces I wanted as they were all exceptional but purchasing all of them, which I wanted to do, was definitely out of the question.  

So, I settled on three of them: Lady of the Woods Tryptich,  Fungorium Agara Cut-out, and Mothology Collage Shadow Box.  

I waited until the exhibit was over to receive my art pieces and was so happy when they finally arrived.  

Once again, when I opened the box they took my breath away.  They were unbelievably beautiful, enchanting, and exceptional pieces of art.  I couldn't help but admire the amazing details on every square inch of her art pieces. 

I had been blown away with just seeing the pictures and knew they would be beautiful but was stunned seeing how beautiful and detailed they actually were in person. The intricate detail in each piece had to have taken her a long time to create.  I couldn't help but admire her astonishing works of art.

I asked Hally if it would be okay to post pictures of her astonishing works and she graciously agreed to let me.  I knew that all my Artful Gathering friends would be thrilled to see pictures of some of Hally's creations again and was hoping she would agree.

Here's what Hally said about her creations: "Truly, I create not solely for my own enjoyment. People ask me how it is that I can part with things that I devote so much time to making. For me the answer is simple. Art is for sharing and nothing gives me greater satisfaction than knowing that I have somehow contributed to the happiness of others through something that I love to do."

I, for one, can say that every time I look at my Hally Levesque creations they not only give me joy, but fill me with inspiration. Every time I look at them I see a new piece of detail that I hadn't noticed before.  They are enchanting, inspirational, and definitely fill me with happiness.  So, mission accomplished, Haley.

I hope you enjoy the pictures I took of Hally's three art pieces.  The pictures truly don't do her works of art justice, but I'm hoping they show you enough of the detail for you to see how truly beautiful they are.

Lady of the Woods Tryptich by Hally Levesque

18" x 16"

Paper, ink, acrylic paint, wire, varnish and plastic frame.

According to Hally; "I created the character of The Lady of the Woods based on the concept of a mother spirit - a guardian of all that exists in her woodland domain."

 

Fungorium Agara Cut-out by Hally Levesque

11 1/2" x 10"

Paper, ink, acrylic paint, wire and varnish.

Mothology Collage Shadow Box by Hally Levesque

17 3/4" x 11"x 4 1/2"

Paper, ink, marker, varnish, and plastic frame.

If you would like to learn more about Hally and her beautiful art pieces her Creative Doll Works website is here. 

And, if you ever get a chance to take one of Hally's online classes, buy one of her video's, or buy one of her art pieces do so.  You will not be disappointed.